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Alexander Borodin
Piano Trio in D major
Works Info
Composer
:
Alexander Borodin
Genre
:
Chamber
Style
:
Chamber Music
Compose Date
:
1860 - 1861
Publication Date
:
1950
Average_duration
:
21:34
Movement_count
:
3
Movement ....
Alexander Borodin's Piano Trio in D major was composed in 1881 and premiered in St. Petersburg in 1883. The work is comprised of three movements: Allegro moderato, Andante, and Allegro con brio. The first movement, Allegro moderato, begins with a lively and energetic theme introduced by the piano. The violin and cello then join in with their own variations of the theme, creating a sense of dialogue between the three instruments. The movement features a number of contrasting sections, including a lyrical second theme and a more dramatic development section. The movement concludes with a recapitulation of the main theme, followed by a coda that brings the movement to a triumphant close. The second movement, Andante, is a beautiful and introspective piece that showcases Borodin's gift for melody. The movement begins with a gentle theme played by the cello, which is then taken up by the violin and piano. The theme is then developed and expanded upon, with each instrument taking turns playing variations of the melody. The movement reaches a climax with a passionate outburst from the violin, before returning to the gentle opening theme and concluding with a peaceful coda. The final movement, Allegro con brio, is a lively and energetic piece that brings the trio to a rousing conclusion. The movement begins with a playful theme introduced by the piano, which is then taken up by the violin and cello. The movement features a number of contrasting sections, including a lyrical second theme and a more dramatic development section. The movement concludes with a triumphant restatement of the main theme, followed by a coda that brings the work to a thrilling close. Overall, Borodin's Piano Trio in D major is a masterful work that showcases his gift for melody, his skill at creating dialogue between instruments, and his ability to create a sense of drama and excitement. It is a testament to his status as one of the great composers of the Romantic era.
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