Gerald Finzi
Intimations of Immortality for tenor, chorus & orchestra, Op. 29
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Composer:Gerald FinziGenre:ChoralStyle:ChoralAverage_duration:42:23Movement_count:13Movement ....Intimations of Immortality for tenor, chorus & orchestra, Op. 29 is a choral work composed by Gerald Finzi. The piece was composed between 1938 and 1950, with the premiere taking place in 1950. The work is divided into nine movements, each of which is based on a poem by William Wordsworth. The first movement, "Recollected in Tranquility," sets the tone for the entire work. It is a slow and reflective piece that features the tenor soloist singing about the loss of childhood innocence. The chorus joins in, singing about the beauty of nature and the passing of time. The second movement, "The Rainbow," is a lively and colorful piece that celebrates the beauty of the natural world. The chorus sings about the joy of seeing a rainbow, while the tenor soloist reflects on the fleeting nature of beauty. The third movement, "The Infant Joy," is a gentle and tender piece that features the tenor soloist singing about the innocence of childhood. The chorus joins in, singing about the joy of new life. The fourth movement, "The Child's Embrace," is a warm and affectionate piece that features the tenor soloist singing about the love between a parent and child. The chorus joins in, singing about the beauty of familial love. The fifth movement, "The Youthful Harp," is a lively and energetic piece that celebrates the joy of music. The tenor soloist sings about the power of music to lift the spirit, while the chorus joins in, singing about the beauty of music. The sixth movement, "The Dance," is a lively and rhythmic piece that celebrates the joy of movement. The tenor soloist sings about the joy of dancing, while the chorus joins in, singing about the beauty of movement. The seventh movement, "The Sunflower," is a gentle and reflective piece that features the tenor soloist singing about the beauty of nature. The chorus joins in, singing about the power of nature to inspire and uplift. The eighth movement, "The Beech Tree's Petition," is a somber and reflective piece that features the tenor soloist singing about the passing of time. The chorus joins in, singing about the beauty of the natural world and the inevitability of change. The final movement, "Ode: Intimations of Immortality," is a grand and majestic piece that celebrates the beauty of life and the power of memory. The tenor soloist sings about the power of memory to keep the past alive, while the chorus joins in, singing about the beauty of life and the hope of immortality. Overall, Intimations of Immortality for tenor, chorus & orchestra, Op. 29 is a powerful and moving work that celebrates the beauty of life and the power of memory. The work is characterized by its lush harmonies, rich orchestration, and powerful choral writing.More....
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
And O, ye Fountains, Meadows, Hills, and Groves
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
There was a time when meadow, grove, and stream
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Now, while the birds thus sing a joyous song
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Ye blessèd Creatures, I have heard the call
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Oh evil day! if I were sullen
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
- But there's a Tree, of many, one
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Our birth is but a sleep and a forgetting
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Earth fills her lap with pleasures of her own
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
But for those first affections
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Intimations of Immortality for tenor, chorus & orchestra, Op. 29
Then sing, ye Birds, sing, sing a joyous song!
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