Composer

:

Samuel Scheidt

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

16:55

Movement_count

:

12

Movement ....

Samuel Scheidt's Magnificat (Geistliche Conzert XII) is a sacred vocal work composed in the early 17th century. The exact date of composition is unknown, but it is believed to have been written between 1619 and 1625. The piece was first performed in Halle, Germany, and has since become a staple of the choral repertoire. The Magnificat is divided into seven movements, each corresponding to a verse of the biblical text. The first movement, "Meine Seele erhebt den Herren" (My soul magnifies the Lord), is a lively and joyful setting of the text. The second movement, "Denn er hat die Niedrigkeit seiner Magd angesehen" (For he has regarded the lowliness of his handmaiden), is a more subdued and introspective piece, featuring solo voices and a gentle accompaniment. The third movement, "Siehe, von nun an werden mich selig preisen alle Kindeskinder" (Behold, from henceforth all generations shall call me blessed), is a bright and celebratory piece, featuring a lively dance-like rhythm. The fourth movement, "Denn der Mächtige hat Großes an mir getan" (For he that is mighty has done great things for me), is a powerful and dramatic setting of the text, featuring a full choir and orchestra. The fifth movement, "Er übet Gewalt mit seinem Arm" (He has shown strength with his arm), is a lively and energetic piece, featuring a driving rhythm and intricate vocal lines. The sixth movement, "Er stößt die Gewaltigen vom Stuhl" (He has put down the mighty from their seat), is a more subdued and contemplative piece, featuring solo voices and a gentle accompaniment. The final movement, "Er gedenket der Barmherzigkeit" (He has helped his servant Israel, in remembrance of his mercy), is a triumphant and joyful setting of the text, featuring a full choir and orchestra. Throughout the piece, Scheidt employs a variety of musical techniques, including intricate vocal counterpoint, lively dance rhythms, and dramatic orchestration, to create a rich and varied musical tapestry. Overall, Scheidt's Magnificat is a masterful example of sacred vocal music from the early Baroque period, showcasing the composer's skillful use of musical form and expression to convey the spiritual themes of the text.

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