Composer

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Gregorian Chant

Genre

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Choral

Style

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Chant

Average_duration

:

0:31

Assumpta est Maria in caelum is a Gregorian Chant that celebrates the Assumption of the Virgin Mary into heaven. The composition date of this chant is unknown, but it is believed to have originated in the early Christian era. The chant was traditionally sung on the Feast of the Assumption, which is celebrated on August 15th. The chant is divided into three movements, each with its own unique characteristics. The first movement begins with a soloist singing the opening phrase, "Assumpta est Maria in caelum" (Mary has been assumed into heaven). The choir then joins in, singing a series of melismatic phrases that emphasize the joy and wonder of Mary's assumption. The first movement ends with a repetition of the opening phrase, sung by the soloist. The second movement is more contemplative in nature, with the choir singing a series of sustained notes that create a sense of stillness and reverence. The soloist then sings a series of phrases that describe Mary's ascent into heaven, accompanied by a rising melody that reflects the upward movement of her journey. The third movement is the most exuberant of the three, with the choir singing a series of jubilant phrases that celebrate Mary's arrival in heaven. The soloist then sings a series of melismatic phrases that express the joy and wonder of this momentous occasion. The chant ends with a repetition of the opening phrase, sung by the choir and soloist together. Overall, Assumpta est Maria in caelum is a beautiful and uplifting composition that celebrates the Assumption of the Virgin Mary into heaven. Its three movements reflect the different emotions and moods associated with this event, from the initial joy and wonder to the contemplative reverence and finally to the exuberant celebration of Mary's arrival in heaven.

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