Composer

:

Italian Anonymous

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

4:39

'Lamed: Matribus suis dixierunt' is a choral composition by an Italian anonymous composer. The exact date of its composition is unknown, but it is believed to have been written in the late Renaissance period, around the 16th century. The piece is a sacred choral work, and it is written in Latin. The composition is divided into three movements, each with its own distinct characteristics. The first movement is slow and contemplative, with a mournful melody that is sung by the choir. The second movement is more lively and upbeat, with a faster tempo and a more joyful melody. The third movement is a return to the slower, more contemplative style of the first movement, with a melody that is both mournful and hopeful. The text of the composition is taken from the book of Lamentations in the Bible, specifically from chapter 1, verse 19. The text reads, "I called to my lovers, but they deceived me; my priests and elders perished in the city while they sought food to revive their strength." The text is a lamentation of the destruction of Jerusalem and the loss of loved ones. The composition is characterized by its use of polyphony, which is a style of music in which multiple voices sing different melodies at the same time. The choir is divided into different sections, each singing a different part of the melody. This creates a rich, complex sound that is both beautiful and haunting. Overall, 'Lamed: Matribus suis dixierunt' is a powerful and moving choral composition that captures the sorrow and hope of the biblical text it is based on. Its use of polyphony and its three distinct movements make it a unique and memorable piece of music that is still performed and appreciated today.

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