Composer

:

Luca Marenzio

Genre

:

Vocal

Style

:

Part Song

Publication Date

:

1584

Average_duration

:

4:27

Luca Marenzio's 'Del cibo, onde il signor mio sempr'abonda' is a six-voice madrigal that was included in his 'Il secondo libro de madrigali a 6 voci'. The book was published in 1591 and was dedicated to Cardinal Pietro Aldobrandini. The madrigal is written in the Italian language and is a perfect example of Marenzio's mastery of the genre. The premiere of 'Del cibo, onde il signor mio sempr'abonda' is not known, but it is likely that it was performed in the courts of Italy during the late 16th century. The madrigal is divided into three movements, each with its own distinct characteristics. The first movement is marked 'Allegro' and is written in a lively and energetic style. The vocal parts are highly ornamented, with intricate melodic lines that weave in and out of each other. The text of the madrigal is a celebration of food and drink, with the speaker expressing his joy at the abundance of good things in his life. The second movement is marked 'Adagio' and is much slower and more contemplative than the first. The vocal parts are more homophonic, with the voices moving together in a more unified manner. The text of this movement is more introspective, with the speaker reflecting on the transience of life and the fleeting nature of pleasure. The final movement is marked 'Allegro' and returns to the lively and energetic style of the first. The vocal parts are once again highly ornamented, with complex melodic lines that interweave and overlap. The text of this movement is a celebration of love, with the speaker expressing his joy at the presence of his beloved. Overall, 'Del cibo, onde il signor mio sempr'abonda' is a masterful example of Marenzio's skill as a composer of madrigals. The piece showcases his ability to write complex and intricate vocal parts that are both technically challenging and musically satisfying. The text of the madrigal is also noteworthy, as it reflects the themes of love, pleasure, and the transience of life that were common in Italian poetry of the time.

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