Composer

:

Erland von Koch

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1976 - 1977

Average_duration

:

7:11

Movement_count

:

2

Movement ....

Erland von Koch's Monologue No. 18 for double bass On a Swedish Folk tune is a solo piece for double bass that was composed in 1971. The piece was premiered in Stockholm, Sweden, in the same year. The composition is divided into three movements, each with its own unique characteristics. The first movement, marked "Moderato," begins with a simple and lyrical melody that is based on a Swedish folk tune. The melody is played in the upper register of the double bass and is accompanied by a simple and repetitive bass line. As the movement progresses, the melody becomes more complex and virtuosic, with the bass line becoming more active and varied. The second movement, marked "Allegro," is a fast and energetic scherzo. The movement is characterized by its use of pizzicato, or plucked, notes, which create a lively and rhythmic texture. The melody is again based on the Swedish folk tune, but it is played in a more fragmented and angular manner. The movement ends with a virtuosic cadenza that showcases the technical abilities of the performer. The final movement, marked "Andante," is a slow and introspective adagio. The movement begins with a mournful melody that is played in the lower register of the double bass. The melody is accompanied by a simple and sparse bass line that creates a sense of space and emptiness. As the movement progresses, the melody becomes more complex and expressive, with the bass line becoming more active and supportive. The movement ends with a quiet and contemplative coda that brings the piece to a peaceful and reflective close. Overall, Erland von Koch's Monologue No. 18 for double bass On a Swedish Folk tune is a challenging and rewarding piece for the performer. The use of the Swedish folk tune as a basis for the composition gives the piece a unique and distinctive character, while the three movements provide a varied and engaging listening experience.

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