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Dmitry Kabalevsky
Preludes (3) for piano, Op. 1
Released Album
 
Works Info
Composer
:
Dmitry Kabalevsky
Genre
:
Keyboard
Compose Date
:
1925
Average_duration
:
7:08
Dmitry Kabalevsky's 'Preludes (3) for piano, Op. 1' is a set of three short pieces for solo piano. The work was composed in 1927 when Kabalevsky was just 21 years old. The premiere of the work took place in Moscow in the same year. The first prelude is marked Allegro con brio and is in the key of C major. It is a lively and energetic piece with a playful melody that is passed between the hands. The middle section of the prelude is more subdued, with a more lyrical melody that is accompanied by arpeggiated chords. The piece ends with a return to the opening material, bringing the prelude to a lively close. The second prelude is marked Andante and is in the key of A minor. It is a more introspective piece than the first prelude, with a melancholy melody that is played in the right hand over a simple accompaniment in the left hand. The middle section of the prelude is more agitated, with a faster tempo and more complex harmonies. The piece ends with a return to the opening material, but with a more subdued and introspective character. The third prelude is marked Allegro molto and is in the key of G major. It is the most virtuosic of the three preludes, with a fast and lively tempo and a complex, syncopated rhythm. The melody is played in octaves in the right hand, while the left hand provides a driving accompaniment. The middle section of the prelude is more lyrical, with a slower tempo and a more expressive melody. The piece ends with a return to the opening material, bringing the set of preludes to a lively and energetic close. Overall, Kabalevsky's 'Preludes (3) for piano, Op. 1' are characterized by their brevity, their clear and concise melodies, and their varied moods and tempos. The set is an early example of Kabalevsky's skill as a composer for the piano, and foreshadows the many works for piano that he would go on to write throughout his career.
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