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Vincent Persichetti
Poems for Piano Vol. 3, Op. 14: No. 1, Rear its frondings sighing in aetherial folds
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Composer
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Vincent Persichetti
Genre
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Keyboard
Style
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Keyboard
Average_duration
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3:00
Vincent Persichetti's 'Poems for Piano Vol. 3, Op. 14: No. 1, Rear its frondings sighing in aetherial folds' is a solo piano piece that was composed in 1949. The piece was premiered on March 6, 1950, by the composer himself at the Juilliard School in New York City. The piece is the first movement of a larger work, 'Poems for Piano Vol. 3', which consists of six movements. Each movement is inspired by a different poem, and the overall style of the work is characterized by Persichetti's use of dissonant harmonies, complex rhythms, and unconventional forms. 'Rear its frondings sighing in aetherial folds' is a short, introspective piece that is marked by a slow, mournful tempo and a haunting melody. The title of the piece is taken from a line in the poem 'The Ferns' by Emily Dickinson, and the music is meant to evoke the image of ferns swaying in the wind. The piece begins with a series of dissonant chords that gradually give way to a more lyrical melody. The melody is then repeated with variations, and the piece ends with a return to the opening chords. Overall, 'Rear its frondings sighing in aetherial folds' is a haunting and introspective piece that showcases Persichetti's unique style and his ability to create evocative musical images.
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