Composer

:

Augustin Barié

Style

:

Toccata

Average_duration

:

5:12

Augustin Barié's 'Pieces (3) for organ, Op. 7 No. 3, Toccata' is a masterpiece of the organ repertoire. Composed in the late 19th century, the piece is a testament to Barié's virtuosity as an organist and composer. The work is comprised of a single movement, the toccata, which is characterized by its fast tempo, intricate figurations, and brilliant use of the organ's resources. The 'Pieces (3) for organ, Op. 7 No. 3, Toccata' was composed in 1890 and premiered the same year in Paris. The piece was part of a larger collection of works by Barié, which included several other organ pieces and a number of choral works. Despite its relatively short length, the toccata has become one of Barié's most popular works and is frequently performed in recitals and church services. The toccata is a fast-paced and highly energetic piece, characterized by its use of rapid figurations and virtuosic flourishes. The piece is written in a free form, with no clear thematic material or formal structure. Instead, Barié relies on the sheer power and brilliance of the organ to create a sense of drama and excitement. The piece begins with a series of rapid arpeggios, which quickly build in intensity and volume. The figurations become more complex and intricate as the piece progresses, with Barié making full use of the organ's resources to create a dazzling array of sounds and textures. The toccata reaches its climax with a series of thunderous chords, which are followed by a brief coda that brings the piece to a thrilling conclusion. Overall, Barié's 'Pieces (3) for organ, Op. 7 No. 3, Toccata' is a stunning example of the organ repertoire. Its virtuosic figurations and brilliant use of the organ's resources make it a favorite among organists and audiences alike. Despite its technical demands, the piece remains accessible and engaging, making it a true masterpiece of the genre.

More....