Composer

:

Horatiu Radulescu

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1991

Average_duration

:

13:39

Movement_count

:

3

Movement ....

Horatiu Radulescu's Piano Sonata No. 2, Op. 82 "Being and non-being create each other" was composed in 1983 and premiered in Paris in the same year. The piece is divided into three movements, each exploring different aspects of the relationship between being and non-being. The first movement, "Being," is characterized by a slow, meditative pace and a focus on sustained tones and harmonies. The piano is used to create a sense of stillness and contemplation, with the notes ringing out and blending together to create a rich, complex texture. The movement gradually builds in intensity, with the harmonies becoming more dissonant and the rhythms more complex, before finally resolving into a peaceful, serene conclusion. The second movement, "Non-Being," is a stark contrast to the first. Here, Radulescu uses the piano to create a sense of chaos and disintegration, with rapid, jagged rhythms and harsh, dissonant chords. The movement is marked by sudden shifts in dynamics and tempo, as well as unexpected pauses and silences. The overall effect is one of fragmentation and dissolution, as if the very fabric of reality is being torn apart. The final movement, "Being and Non-Being," brings together the themes of the previous two movements in a powerful synthesis. Here, Radulescu uses the piano to create a sense of unity and harmony, with the notes blending together in a rich, complex tapestry of sound. The movement is marked by a sense of forward momentum, as if the music is moving inexorably towards a final resolution. The piece ends with a sense of peace and tranquility, as if the tension between being and non-being has finally been resolved. Overall, Piano Sonata No. 2, Op. 82 "Being and non-being create each other" is a powerful exploration of some of the most fundamental questions of existence. Through its use of rich harmonies, complex textures, and unexpected shifts in dynamics and tempo, the piece creates a sense of profound mystery and wonder, inviting the listener to contemplate the nature of being and non-being in all their complexity.

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