Composer

:

Philippe de Monte

Genre

:

Choral

Style

:

Choral

Publication Date

:

1579

Average_duration

:

5:50

'Domine, quid multiplicati sunt' is a sacred motet composed by Philippe de Monte, a prominent Flemish composer of the Renaissance era. The piece was composed in the late 16th century, around 1580, and was premiered in the court of Emperor Rudolf II in Prague. The motet is written for six voices, with two sopranos, two altos, and two basses. It is divided into three movements, each with its own distinct character and musical style. The first movement is a slow and solemn setting of the text, "Domine, quid multiplicati sunt," which translates to "Lord, how are they increased that trouble me." The music is characterized by rich harmonies and a sense of deep introspection, reflecting the somber mood of the text. The second movement is a lively and energetic setting of the text, "Multi dicunt animae meae," which translates to "Many say to my soul." The music is marked by rapid-fire vocal exchanges and intricate polyphony, creating a sense of urgency and excitement. The final movement is a return to the solemn mood of the first, with a setting of the text, "Salvum me fac, Deus," which translates to "Save me, O God." The music is characterized by a sense of pleading and supplication, with the voices weaving in and out of each other in a complex web of harmonies. Overall, 'Domine, quid multiplicati sunt' is a masterful example of Renaissance polyphony, showcasing de Monte's skill in creating complex and emotionally powerful music. Its use of contrasting moods and musical styles, as well as its intricate vocal writing, make it a standout work in the repertoire of sacred music from this era.

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