Composer

:

Bartolome de Selma y Salaverde

Genre

:

Orchestral

Style

:

Canzona

Publication Date

:

1638

Average_duration

:

4:41

Bartolome de Selma y Salaverde was a Spanish composer and musician who lived in the 17th century. He is known for his collection of instrumental music, "Canzoni, fantasie et correnti," which was published in 1638. One of the pieces in this collection is "Canzona prima a due," which is the eleventh piece in the collection. "Canzona prima a due" is a piece for two instruments, likely violins or cornets. It is written in the key of G major and has a moderate tempo. The piece is in three movements: a canzona, a fantasia, and a corrente. The first movement, the canzona, is in a strict imitative style. The two instruments play the same melody, but at different times, creating a canon. The melody is simple and elegant, with a clear sense of direction. The canzona is in binary form, with each section repeated. The second movement, the fantasia, is more free-form than the canzona. It begins with a slow, expressive section, with the two instruments playing in close harmony. This section is followed by a faster, more virtuosic section, with the two instruments playing off each other in a lively dialogue. The fantasia ends with a return to the slow, expressive section. The final movement, the corrente, is a lively dance in triple meter. The two instruments play in close harmony, with the melody passing back and forth between them. The corrente is in binary form, with each section repeated. Overall, "Canzona prima a due" is a charming and elegant piece of music. It showcases Selma y Salaverde's skill at writing for two instruments, with each part complementing the other. The piece is typical of the instrumental music of the Baroque era, with its clear sense of structure and use of imitative counterpoint.

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