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Carl Loewe
Assad mit dem Selam, Op. 10
Works Info
Composer
:
Carl Loewe
Genre
:
Vocal
Style
:
Vocal Music
Average_duration
:
3:26
"Assad mit dem Selam, Op. 10" is a song cycle composed by Carl Loewe, a German composer, pianist, and singer. The cycle was composed in 1824 and premiered in Berlin in the same year. It consists of six movements, each of which is based on a poem by the German poet Johann Wolfgang von Goethe. The first movement, "Assad's Greeting," is a lively and energetic piece that sets the tone for the rest of the cycle. It features a fast-paced piano accompaniment and a soaring vocal melody that captures the excitement and anticipation of a royal greeting. The second movement, "The Rose," is a slower and more contemplative piece that explores the beauty and fragility of nature. The piano accompaniment is delicate and understated, allowing the vocal melody to take center stage. The third movement, "The Fountain," is a lively and playful piece that captures the joy and exuberance of youth. The piano accompaniment is light and bouncy, and the vocal melody is full of playful leaps and runs. The fourth movement, "The Pilgrim," is a more serious and contemplative piece that explores the themes of faith and redemption. The piano accompaniment is sparse and haunting, and the vocal melody is full of longing and yearning. The fifth movement, "The Shepherd," is a pastoral piece that captures the beauty and simplicity of rural life. The piano accompaniment is gentle and flowing, and the vocal melody is full of warmth and tenderness. The final movement, "The King of Thule," is a dramatic and powerful piece that tells the story of a king who must give up his beloved goblet. The piano accompaniment is grand and majestic, and the vocal melody is full of passion and intensity. Overall, "Assad mit dem Selam, Op. 10" is a masterful work that showcases Loewe's skill as a composer and his ability to capture the essence of Goethe's poetry. The cycle is characterized by its rich harmonies, expressive melodies, and evocative piano accompaniments, and it remains a beloved work in the classical repertoire.
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