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André Jolivet
Incantation for flute No. 4, "Pour une communion sereine de l'être avec le monde"
Works Info
Composer
:
André Jolivet
Genre
:
Chamber
Style
:
Chamber Music
Average_duration
:
4:27
André Jolivet's 'Incantation for flute No. 4, Pour une communion sereine de l'être avec le monde' was composed in 1965. The piece was premiered in Paris in the same year by the flutist Jean-Pierre Rampal. The work is divided into three movements, each with its own distinct character. The first movement, marked "Lent et grave" (slow and solemn), begins with a long, sustained note on the flute, which sets the contemplative mood of the piece. The flute then introduces a simple, chant-like melody, which is gradually developed and expanded upon. The movement ends with a return to the opening material, creating a sense of circularity and unity. The second movement, marked "Vif et rythmique" (lively and rhythmic), is a lively dance in 6/8 time. The flute plays a playful, syncopated melody, which is accompanied by a driving, rhythmic ostinato in the piano. The movement builds to a frenzied climax before abruptly ending. The final movement, marked "Très lent et calme" (very slow and calm), is a serene meditation. The flute plays a long, sustained melody, which is accompanied by gentle, ethereal chords in the piano. The movement gradually fades away, leaving the listener with a sense of peaceful contemplation. Throughout the piece, Jolivet's use of extended techniques and unconventional sounds creates a sense of otherworldliness and mysticism. The flute is often called upon to produce breathy, airy sounds, as well as percussive effects such as tongue clicks and key clicks. The piano, too, is used in unconventional ways, with the performer often plucking or strumming the strings to create a harp-like effect. Overall, 'Incantation for flute No. 4, Pour une communion sereine de l'être avec le monde' is a hauntingly beautiful work that showcases Jolivet's unique voice as a composer. Its contemplative, mystical character and use of extended techniques make it a challenging and rewarding piece for both performers and listeners.
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