Henry Purcell
Ground for harpsichord in C minor, ZT 681
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Composer:Henry PurcellGenre:KeyboardStyle:GroundAverage_duration:3:07Henry Purcell's "Ground for harpsichord in C minor, ZT 681" is a solo keyboard work that was composed in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1695. The piece is one of Purcell's most famous keyboard works and is often performed by harpsichordists and pianists alike. The "Ground for harpsichord in C minor" is a single-movement work that is characterized by its repetitive bass line, or "ground," which is played continuously throughout the piece. The ground consists of a descending chromatic scale that is repeated over and over again, providing a steady foundation for the variations that are layered on top of it. The piece is structured as a set of variations, with each variation building on the previous one and adding new elements to the music. The variations range in mood and tempo, with some being slow and contemplative while others are fast and lively. Purcell's use of ornamentation and virtuosic flourishes adds to the overall complexity and richness of the music. The "Ground for harpsichord in C minor" was likely composed for a professional keyboard player, as it requires a high level of technical skill to perform. The piece is also notable for its use of dissonance and chromaticism, which were relatively new and daring techniques at the time of its composition. The work was likely premiered in a private setting, as was common for keyboard music of the time. However, it has since become a staple of the keyboard repertoire and is frequently performed in concert halls and recital venues around the world. Overall, Purcell's "Ground for harpsichord in C minor, ZT 681" is a masterful example of Baroque keyboard music. Its repetitive bass line and complex variations showcase Purcell's skill as a composer and his ability to create music that is both technically challenging and emotionally expressive.More....
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