Composer

:

Charles-Marie Widor

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1876

Average_duration

:

38:21

Movement_count

:

7

Movement ....

Charles-Marie Widor's Symphony No. 1 in C minor for organ, Op. 13/1, was composed in 1872 and premiered on January 2, 1873, at the Saint-Sulpice church in Paris, where Widor served as the organist. The symphony is divided into four movements, each with its own distinct character and mood. The first movement, marked Allegro moderato, begins with a dramatic and powerful introduction, featuring the full force of the organ. The main theme is then introduced, a lyrical melody that is developed throughout the movement. The second theme is more subdued, featuring a delicate interplay between the organ and the strings. The movement ends with a triumphant restatement of the main theme. The second movement, marked Andante sostenuto, is a slow and contemplative piece, featuring a haunting melody played by the organ's solo stops. The strings provide a gentle accompaniment, creating a sense of peacefulness and introspection. The third movement, marked Allegro vivace, is a lively and energetic scherzo, featuring a playful and rhythmic theme played by the organ. The strings provide a lively counterpoint, creating a sense of joy and exuberance. The final movement, marked Adagio - Finale, is a grand and majestic piece, featuring a soaring melody played by the organ's full resources. The strings provide a rich and full-bodied accompaniment, creating a sense of grandeur and majesty. The movement ends with a triumphant restatement of the main theme, bringing the symphony to a powerful and satisfying conclusion. Overall, Widor's Symphony No. 1 in C minor for organ is a masterful work, showcasing the full range and power of the organ. The symphony's four movements are each distinct in character and mood, creating a rich and varied musical experience for the listener.

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