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Peirol
Mainta gens mi malrasona
Released Album
 
Works Info
Composer
:
Peirol
Genre
:
Miscellaneous
Style
:
Miscellaneous
Average_duration
:
6:25
'Mainta gens mi malrasona' is a medieval Occitan song composed by Peirol, a troubadour from the 13th century. The song is a lamentation of unrequited love and the pain it brings. It was written in the form of a sirventes, a type of Occitan lyric poetry that was often used for political or moral commentary. The song was likely composed in the early 13th century, during the height of the troubadour tradition in Occitania. It was first performed in the courts of the nobility, where troubadours were often employed as entertainers and poets. The song's premiere would have been a private affair, with only a select audience of aristocrats and their guests in attendance. 'Mainta gens mi malrasona' is composed of three stanzas, each with a different melody. The first stanza is in the form of a lament, with the speaker expressing his sorrow at being rejected by his beloved. The second stanza is more introspective, with the speaker reflecting on his own flaws and shortcomings. The third stanza is a plea for mercy, with the speaker begging his beloved to take pity on him and return his love. The song's melody is characterized by its mournful tone and slow, deliberate pace. It is performed in a minor key, with a simple, repetitive melody that emphasizes the song's emotional content. The lyrics are written in the Occitan language, which was spoken in southern France during the Middle Ages. The language is known for its rich poetic tradition, and was used by troubadours and other poets to express complex emotions and ideas. Overall, 'Mainta gens mi malrasona' is a powerful example of medieval Occitan poetry. Its themes of love, loss, and longing are timeless, and its melody and lyrics continue to resonate with audiences today. As a work of troubadour poetry, it is an important part of the cultural heritage of Occitania, and a testament to the enduring power of the troubadour tradition.
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