Composer

:

Domenico Scarlatti

Genre

:

Keyboard

Style

:

Sonata

Average_duration

:

4:04

Domenico Scarlatti's Sonata for keyboard in C minor, K. 226, L. 112, is a solo keyboard work that was composed in the early 18th century. The exact date of composition is unknown, but it is believed to have been written between 1720 and 1730. The sonata is one of Scarlatti's most famous works and is often performed by pianists and harpsichordists today. The sonata is in three movements, with the first and third movements in C minor and the second movement in C major. The first movement is marked Allegro, and it begins with a dramatic and intense theme that is repeated throughout the movement. The second movement, marked Andante, is a lyrical and expressive piece that provides a contrast to the first movement. The third movement, marked Allegro, is a lively and energetic piece that brings the sonata to a thrilling conclusion. One of the characteristics of Scarlatti's keyboard music is his use of the binary form, which consists of two contrasting sections that are repeated. This form is evident in the first and third movements of the sonata, which both have two distinct sections that are repeated. Scarlatti also frequently used ornamentation in his music, and this is evident in the sonata's fast and virtuosic passages. Another characteristic of Scarlatti's music is his use of the Spanish style, which he was exposed to during his time in the Spanish court. This influence is evident in the sonata's use of syncopated rhythms and flamenco-like melodies. Scarlatti's music was also known for its technical demands, and the Sonata in C minor is no exception. The piece requires a high level of technical skill and dexterity, particularly in the fast and intricate passages. The Sonata for keyboard in C minor, K. 226, L. 112, was likely composed for Scarlatti's own use, as he was an accomplished keyboard player and often performed his own works. The sonata was not published during Scarlatti's lifetime, but it has since become one of his most popular and frequently performed works. Its dramatic and virtuosic qualities make it a favorite among pianists and harpsichordists, and it continues to be a staple of the keyboard repertoire today.

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