Composer

:

Samuel Barber

Genre

:

Choral

Style

:

Choral

Compose Date

:

1940

Average_duration

:

6:13

Samuel Barber's "A Stopwatch and an Ordnance Map, Op. 15" is a composition for orchestra that was composed in 1940. The piece was premiered on November 5, 1940, by the Boston Symphony Orchestra under the direction of Serge Koussevitzky. The composition is divided into three movements, each of which is characterized by a distinct mood and musical style. The first movement, marked "Allegro molto," is a lively and energetic piece that features a driving rhythm and a sense of urgency. The second movement, marked "Andante," is a slower and more contemplative piece that features a lyrical melody and a more subdued mood. The third movement, marked "Allegro con brio," is a fast and lively piece that features a playful and upbeat melody. One of the most notable characteristics of "A Stopwatch and an Ordnance Map" is its use of orchestration. Barber employs a wide range of instruments throughout the piece, including strings, woodwinds, brass, and percussion. The orchestration is particularly effective in the second movement, where Barber uses a solo violin to create a haunting and melancholy melody. Another notable characteristic of the piece is its use of rhythm. Barber employs a variety of rhythmic patterns throughout the composition, ranging from fast and complex to slow and simple. This rhythmic diversity helps to create a sense of tension and release throughout the piece, and adds to its overall sense of drama and excitement. Overall, "A Stopwatch and an Ordnance Map, Op. 15" is a dynamic and engaging composition that showcases Barber's skill as a composer. Its use of orchestration, rhythm, and melody combine to create a powerful and memorable musical experience.

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