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Thomas Morley
When, loe, by breake of morning
Released Album
 
Works Info
Composer
:
Thomas Morley
Genre
:
Choral
Style
:
Choral
Compose Date
:
before 1595
Publication Date
:
1595
Average_duration
:
1:50
"When, loe, by breake of morning" is a madrigal composed by Thomas Morley, an English composer, organist, and theorist of the Renaissance era. The piece was composed in the late 16th century, around 1595, and was first published in his collection "The Triumphs of Oriana" in 1601. The madrigal was written for five voices, and it is a fine example of the English madrigal style. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Allegro," and it begins with a lively and rhythmic melody in the soprano voice. The other voices enter one by one, creating a rich and complex texture. The lyrics describe the beauty of the morning and the joy it brings, and the music perfectly captures this sense of exuberance and energy. The second movement is marked "Adagio," and it is a stark contrast to the first. The tempo slows down, and the mood becomes more contemplative and introspective. The melody is passed between the voices, creating a sense of intimacy and closeness. The lyrics speak of the pain of separation and the longing for reunion, and the music perfectly captures this sense of melancholy and yearning. The final movement is marked "Allegro," and it returns to the joyful and energetic mood of the first. The melody is once again lively and rhythmic, and the voices interweave in a complex and intricate pattern. The lyrics speak of the power of love to overcome all obstacles, and the music perfectly captures this sense of triumph and celebration. Overall, "When, loe, by breake of morning" is a beautiful and complex piece of music that showcases Morley's skill as a composer. The English madrigal style is characterized by its use of complex harmonies, intricate counterpoint, and vivid word painting, and this piece is a fine example of all of these elements. It remains a beloved piece of music to this day, and it is a testament to the enduring power of Renaissance music.
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