Composer

:

Darius Milhaud

Genre

:

Keyboard

Style

:

Hymn

Compose Date

:

1953 - 1954

Publication Date

:

1954

Average_duration

:

6:28

Darius Milhaud's 'Hymne de glorification, Op. 331' is a choral work that was composed in 1959. The piece was premiered on May 17, 1959, in Paris, France, by the Chorale de la Société des Concerts du Conservatoire, under the direction of André Jouve. The work is divided into three movements, each with its own distinct character and mood. The first movement, marked "Allegro," is a lively and rhythmic section that features a call-and-response between the choir and the orchestra. The second movement, marked "Andante," is a slower and more contemplative section that features a solo soprano voice singing a melody over a lush orchestral accompaniment. The final movement, marked "Allegro con fuoco," is a fast and energetic section that brings the work to a thrilling conclusion. One of the most striking characteristics of 'Hymne de glorification' is its use of polytonality. Milhaud was known for his experimentation with polytonality, and this work is no exception. The choir and orchestra often play in different keys simultaneously, creating a complex and dissonant sound that is both challenging and rewarding for performers and listeners alike. Another notable characteristic of the work is its use of rhythm. Milhaud was heavily influenced by jazz music, and this is evident in the syncopated rhythms and driving pulse of the first and third movements. The second movement, by contrast, is more lyrical and flowing, with a more traditional sense of rhythm and meter. Overall, 'Hymne de glorification, Op. 331' is a powerful and dynamic work that showcases Milhaud's unique style and innovative approach to composition. Its use of polytonality and rhythmic complexity make it a challenging but rewarding piece for performers and a thrilling experience for audiences.

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