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Francesco Cilèa
Waltz for piano, Op. 36
Released Album
 
Works Info
Composer
:
Francesco Cilèa
Genre
:
Keyboard
Average_duration
:
1:48
Francesco Cilèa's Waltz for piano, Op. 36, was composed in the late 19th century and premiered in 1898. The piece is comprised of three movements, each with its own unique characteristics. The first movement is marked "Allegro moderato" and is in the key of A major. It begins with a lively and playful melody in the right hand, accompanied by a simple yet steady rhythm in the left hand. The melody is then repeated with slight variations, showcasing Cilèa's skill in creating memorable and catchy tunes. The middle section of the movement features a more subdued and lyrical melody, which gradually builds in intensity before returning to the opening theme. The second movement, marked "Andante con moto," is in the key of F-sharp minor. It begins with a melancholic and introspective melody in the right hand, accompanied by a gentle and flowing accompaniment in the left hand. The melody is then repeated with added ornamentation, showcasing Cilèa's ability to create intricate and expressive melodies. The middle section of the movement features a more dramatic and intense melody, which gradually builds in intensity before returning to the opening theme. The final movement, marked "Allegro vivace," is in the key of A major. It begins with a lively and energetic melody in the right hand, accompanied by a fast and intricate accompaniment in the left hand. The melody is then repeated with added ornamentation and virtuosic flourishes, showcasing Cilèa's skill as a pianist and composer. The middle section of the movement features a more subdued and lyrical melody, which gradually builds in intensity before returning to the opening theme. Overall, Cilèa's Waltz for piano, Op. 36, is a charming and delightful piece that showcases his skill as a composer and pianist. The piece is characterized by its memorable melodies, intricate ornamentation, and virtuosic flourishes, making it a favorite among pianists and audiences alike.
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