Composer

:

Malcolm Arnold

Genre

:

Orchestral

Style

:

Dance

Compose Date

:

1966

Average_duration

:

9:34

Movement_count

:

4

Movement ....

Cornish Dances (4), Op. 91 is a composition by British composer Malcolm Arnold. It was composed in 1966 and premiered on 22nd September 1966 at the Royal Albert Hall in London, conducted by the composer himself. The piece is divided into four movements, each of which is inspired by a traditional Cornish dance. The first movement, Vivace, is based on the "Furry Dance," a traditional dance from the town of Helston in Cornwall. The music is lively and energetic, with a strong rhythmic drive and a playful melody that is passed between the different sections of the orchestra. The second movement, Allegro ma non troppo, is based on the "Troyl" dance, which is a type of reel. The music is fast and lively, with a strong emphasis on the rhythm and a playful melody that is passed between the different sections of the orchestra. The third movement, Con brio, is based on the "Halsway Sicilian," which is a type of slow dance. The music is more subdued than the previous movements, with a slower tempo and a more lyrical melody. However, there is still a strong sense of rhythm and energy in the music, and the different sections of the orchestra are used to create a rich and varied texture. The final movement, Vivace, is based on the "Furry Dance" once again. However, this time the music is faster and more frenetic, with a strong emphasis on the rhythm and a playful melody that is passed between the different sections of the orchestra. The music builds to a thrilling climax before coming to a sudden and unexpected end. Overall, Cornish Dances (4), Op. 91 is a lively and energetic piece of music that showcases Malcolm Arnold's skill as a composer. The use of traditional Cornish dances as inspiration gives the piece a strong sense of place and identity, while the varied movements and rich orchestration keep the music fresh and engaging throughout.

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