Composer

:

William H. Harris

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

3:19

William H. Harris composed his Magnificat in A in 1919. The piece premiered on December 2, 1919, at St. George's Chapel, Windsor Castle, with the composer himself conducting. The Magnificat in A is a choral work that is divided into six movements, each of which is characterized by its unique musical style and structure. The first movement, "Magnificat anima mea Dominum," is a joyful and exuberant setting of the text. The choir sings in unison, with the organ providing a lively accompaniment. The second movement, "Et exultavit spiritus meus," is a solo for soprano, accompanied by the choir and organ. The music is more subdued and introspective, reflecting the personal nature of the text. The third movement, "Quia respexit humilitatem," is a duet for alto and tenor, accompanied by the organ. The music is gentle and flowing, with the two voices intertwining in a beautiful counterpoint. The fourth movement, "Quia fecit mihi magna," is a solo for bass, accompanied by the choir and organ. The music is grand and majestic, reflecting the greatness of the deeds described in the text. The fifth movement, "Et misericordia," is a duet for soprano and alto, accompanied by the organ. The music is tender and expressive, reflecting the compassion and mercy of God. The final movement, "Gloria Patri," is a triumphant setting of the doxology. The choir sings in unison, with the organ providing a powerful accompaniment. Overall, the Magnificat in A is a beautiful and expressive choral work that showcases Harris's skill as a composer. The music is characterized by its rich harmonies, expressive melodies, and intricate counterpoint. The piece is a testament to Harris's deep faith and his ability to capture the essence of the text in his music.

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