Composer

:

Samuel Sebastian Wesley

Genre

:

Choral

Style

:

Choral

Average_duration

:

3:48

"Man That Is Born of A Woman" is a choral work composed by Samuel Sebastian Wesley in 1843. It was premiered on May 7, 1844, at the Worcester Festival in England. The piece is divided into four movements, each with its own unique characteristics. The first movement begins with a somber and mournful tone, with the choir singing in unison. The music gradually builds in intensity, with the choir singing in harmony and the organ providing a rich accompaniment. The movement ends with a powerful and dramatic chord progression. The second movement is a solo for bass voice, accompanied by the organ. The music is slow and contemplative, with the bass singing in a low register. The lyrics focus on the fleeting nature of life and the inevitability of death. The third movement is a duet for soprano and tenor voices, accompanied by the organ. The music is more upbeat and optimistic than the previous movements, with the two voices singing in harmony. The lyrics focus on the hope of eternal life and the promise of salvation. The final movement is a choral fugue, with the choir singing in four-part harmony. The music is complex and intricate, with each voice part weaving in and out of the others. The lyrics focus on the final judgment and the hope of being saved. Overall, "Man That Is Born of A Woman" is a powerful and moving choral work that explores themes of life, death, and salvation. Wesley's use of rich harmonies and dramatic chord progressions creates a sense of urgency and intensity that is both haunting and beautiful.

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