Composer

:

Jan Sixt z Lerchenfelsu

Genre

:

Choral

Style

:

Choral

Average_duration

:

2:38

Jan Sixt z Lerchenfelsu was a Czech composer who lived in the 17th century. He is known for his sacred music, including his Magnificat anima mea, which was composed in the early 1660s. The piece is a setting of the Magnificat, a hymn of praise to the Virgin Mary, and is scored for five voices (SSATB) and continuo. The Magnificat anima mea is divided into nine movements, each of which corresponds to a verse of the Magnificat. The first movement, "Magnificat anima mea Dominum," is a lively and joyful setting of Mary's opening words. The second movement, "Et exultavit spiritus meus," is a solo for the alto voice, accompanied by the continuo. The third movement, "Quia respexit humilitatem ancillae suae," is a duet for soprano and tenor voices, with the alto and bass providing the continuo. The fourth movement, "Quia fecit mihi magna qui potens est," is a solo for the bass voice, accompanied by the continuo. The fifth movement, "Et misericordia eius a progenie in progenies," is a duet for soprano and alto voices, with the tenor and bass providing the continuo. The sixth movement, "Fecit potentiam in brachio suo," is a solo for the tenor voice, accompanied by the continuo. The seventh movement, "Deposuit potentes de sede," is a duet for soprano and bass voices, with the alto and tenor providing the continuo. The eighth movement, "Esurientes implevit bonis," is a solo for the soprano voice, accompanied by the continuo. The final movement, "Suscepit Israel puerum suum," is a lively and joyful setting of the closing words of the Magnificat. The Magnificat anima mea is characterized by its lively rhythms, colorful harmonies, and expressive melodies. The vocal parts are often highly ornamented, with frequent use of trills, runs, and other decorative devices. The continuo provides a rich and varied accompaniment, with frequent use of chords, arpeggios, and other figurations. Overall, the Magnificat anima mea is a beautiful and expressive setting of the Magnificat, and a testament to Jan Sixt z Lerchenfelsu's skill as a composer of sacred music.

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