Composer

:

Thomas Morley

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

before 1600

Publication Date

:

1600

Average_duration

:

5:38

Thomas Morley was an English composer, organist, and theorist of the Renaissance era. He was born in Norwich in 1557 and died in London in 1602. Morley was one of the most important composers of his time, and his works were widely performed and admired. One of Morley's most famous works is "Come sorrow, come," a madrigal for five voices. The piece was composed in 1595 and was first published in Morley's collection "The Triumphs of Oriana" in 1601. The premiere of the piece is not known, but it was likely performed by one of the many choirs that were active in England at the time. "Come sorrow, come" is a four-movement piece that is typical of the madrigal form. The first movement is in a minor key and features a mournful melody that sets the tone for the rest of the piece. The second movement is in a major key and is more upbeat, with a lively melody that contrasts with the first movement. The third movement returns to the minor key and features a more complex and intricate melody. The final movement is in a major key and is a reprise of the second movement, bringing the piece to a joyful conclusion. The characteristics of "Come sorrow, come" are typical of Morley's style. The piece features intricate vocal lines that weave together to create a complex and harmonious whole. The use of minor and major keys creates a sense of tension and release, and the contrast between the mournful and joyful melodies adds depth and complexity to the piece. Overall, "Come sorrow, come" is a beautiful and moving piece of music that showcases Morley's skill as a composer. Its popularity has endured for centuries, and it remains a beloved work of the Renaissance era.

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