Composer

:

Judith Hamann

Genre

:

Chamber

Average_duration

:

13:10

"Study for cello & humming" is a contemporary composition by Australian cellist and composer Judith Hamann. The piece was composed in 2016 and premiered on November 17th of the same year at the Melbourne Recital Centre. The composition consists of three movements, each exploring the relationship between the cello and the human voice. The first movement, titled "Humming," features the cellist humming while playing the cello, creating a unique blend of vocal and instrumental sounds. The second movement, "Harmonics," focuses on the use of harmonics on the cello, with the cellist singing in a high register to complement the ethereal sounds of the harmonics. The final movement, "Vocalise," is a more traditional cello solo, with the cellist singing wordless vocalizations to accompany the cello. One of the defining characteristics of "Study for cello & humming" is its use of extended techniques on the cello, such as harmonics and unconventional bowing techniques. These techniques, combined with the use of the human voice, create a unique and experimental sound that pushes the boundaries of traditional cello music. Additionally, the piece is notable for its emphasis on the relationship between the performer and the instrument, with the cellist using their voice to interact with and complement the sounds of the cello. Overall, "Study for cello & humming" is a captivating and innovative composition that showcases Judith Hamann's skill as both a cellist and a composer. Its use of extended techniques and vocalizations creates a truly unique listening experience that is sure to captivate audiences.

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