Composer

:

Wilhelm Friedemann Bach

Genre

:

Keyboard

Compose Date

:

ca. 1765

Publication Date

:

1993

Average_duration

:

04:09

Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, composed the Polonaise for keyboard in E flat minor, F. 12/6 (BR A32) in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written during his time as the court organist in Dresden, between 1746 and 1764. The Polonaise is a single-movement work that is characterized by its lively and dance-like rhythm. It is written in E flat minor, a key that was often associated with melancholy and introspection during the Baroque period. The piece is structured in a binary form, with two distinct sections that are repeated. The opening section of the Polonaise is marked by a series of ascending arpeggios that create a sense of tension and anticipation. This leads into the main theme, which is characterized by a series of syncopated rhythms and dotted rhythms that give the piece a lively and energetic feel. The melody is ornamented with trills and turns, adding to the sense of playfulness and virtuosity. The second section of the Polonaise is more subdued, with a slower tempo and a more introspective mood. The melody is more lyrical and expressive, with a series of descending arpeggios that create a sense of melancholy and longing. This section provides a contrast to the lively and energetic opening, and allows the performer to showcase their ability to convey a range of emotions through their playing. Overall, the Polonaise for keyboard in E flat minor, F. 12/6 (BR A32) is a charming and engaging work that showcases Wilhelm Friedemann Bach's skill as a composer and his ability to create music that is both technically challenging and emotionally expressive. Its lively rhythms and playful melodies make it a popular choice for keyboard performers today.

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