Composer

:

Margaret Bonds

Genre

:

Vocal

Average_duration

:

3:07

Margaret Bonds' "Hold On" is a composition for solo voice and piano that premiered in 1968. The piece is a setting of three spirituals: "Hold On," "I've Been 'Buked," and "He's Got the Whole World in His Hands." The first movement, "Hold On," is a call to perseverance in the face of adversity. The piano accompaniment is rhythmic and driving, while the vocal line is characterized by syncopation and melismatic ornamentation. The second movement, "I've Been 'Buked," is a lamentation of the trials and tribulations faced by African Americans throughout history. The vocal line is mournful and expressive, with the piano providing a somber and reflective accompaniment. The final movement, "He's Got the Whole World in His Hands," is a joyful affirmation of faith and hope. The piano accompaniment is lively and energetic, while the vocal line is characterized by exuberant leaps and runs. Bonds' composition is notable for its use of traditional African American spirituals as source material. The spirituals are treated with reverence and respect, with Bonds' arrangements emphasizing the emotional depth and spiritual significance of the music. The vocal writing is particularly noteworthy, with Bonds' use of melismatic ornamentation and expressive phrasing capturing the essence of the spirituals' improvisational and emotive qualities. Overall, "Hold On" is a powerful and moving work that showcases Bonds' skill as a composer and her deep connection to the African American spiritual tradition. Its premiere in 1968 was a significant moment in the history of African American music, and the piece continues to be performed and celebrated today.

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