Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Choral

Publication Date

:

1626

Average_duration

:

8:44

Johann Hermann Schein's 'Vater unser der du bist im Himmel' is a sacred choral work that was composed in the early 17th century. It is part of his Opella nova, Part 2, No. 18, which was published in 1627. The work is based on the Lord's Prayer and is written for four voices (soprano, alto, tenor, and bass). The piece is divided into three movements. The first movement is a simple and straightforward setting of the text, with each voice singing the same melody in unison. The second movement is more complex, with each voice singing a different melody that weaves together to create a rich and harmonious texture. The third movement returns to the simplicity of the first, with the voices once again singing in unison. One of the most notable characteristics of Schein's 'Vater unser der du bist im Himmel' is its use of imitative polyphony. This technique involves one voice introducing a melody, which is then imitated by the other voices in turn. This creates a sense of unity and coherence throughout the piece, as well as a feeling of forward motion and development. Another characteristic of the work is its use of dissonance. Schein employs dissonant harmonies and suspensions to create tension and drama, particularly in the second movement. However, these dissonances are always resolved, creating a sense of resolution and closure. Overall, Schein's 'Vater unser der du bist im Himmel' is a beautiful and expressive choral work that showcases the composer's skill in creating rich and complex textures. Its use of imitative polyphony and dissonance make it a particularly interesting and engaging piece to listen to.

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