Composer

:

Charles-Marie Widor

Genre

:

Keyboard

Style

:

March

Average_duration

:

3:28

Marche américaine, Op. 31/11 is a composition by the French composer Charles-Marie Widor. It was composed in 1890 and premiered on May 4, 1891, at the Salle Pleyel in Paris. The piece is part of Widor's collection of ten organ pieces, known as the "Symphonie Gothique." The Marche américaine is a lively and energetic piece, characterized by its use of syncopated rhythms and bold harmonies. The piece is in the key of D major and is written in a march-like style, with a strong emphasis on the downbeat. The piece is divided into three sections, with the first and third sections being in D major and the middle section in B minor. The first section of the piece begins with a fanfare-like introduction, featuring a series of ascending chords in the right hand and a pedal line in the left hand. This leads into the main theme, which is characterized by its use of syncopated rhythms and bold harmonies. The theme is repeated several times, with variations and embellishments added each time. The middle section of the piece is more subdued, with a slower tempo and a more lyrical melody. This section features a series of arpeggios in the right hand, accompanied by a pedal line in the left hand. The melody is then repeated in the left hand, with the right hand providing a series of decorative flourishes. The final section of the piece returns to the energetic march-like style of the opening section. This section features a series of ascending and descending scales in the right hand, accompanied by a pedal line in the left hand. The main theme is then repeated several times, with the addition of new harmonies and rhythmic variations. Overall, the Marche américaine is a lively and energetic piece, showcasing Widor's skill as a composer and his mastery of the organ. The piece is a popular choice for organists and is often performed in recitals and concerts.

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