François Couperin
Les Tours de passe-passe (Pièces de clavecin, IV, 22e ordre)
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Composer:François CouperinGenre:KeyboardStyle:Character PieceCompose Date:1730Publication Date:1713Average_duration:2:32François Couperin's 'Les Tours de passe-passe' is a piece from his 'Pièces de clavecin, IV, 22e ordre', which was composed in 1730. The piece is a set of variations on a theme, and it is known for its playful and virtuosic character. The premiere of 'Les Tours de passe-passe' is not well-documented, but it is likely that it was first performed in the court of Louis XV, where Couperin was employed as a harpsichordist. The piece is written for solo harpsichord, and it consists of a theme and six variations. The first variation is marked 'Légèrement', and it features a lively and syncopated rhythm. The second variation is marked 'Gracieusement', and it is more lyrical and expressive. The third variation is marked 'Tendrement', and it is characterized by its delicate and intimate mood. The fourth variation is marked 'Vivement', and it is the most virtuosic of the set. It features rapid runs and arpeggios, as well as intricate ornamentation. The fifth variation is marked 'Affectueusement', and it is a slow and expressive variation that showcases the harpsichord's ability to produce a wide range of dynamics and colors. The final variation is marked 'Légèrement', and it brings the piece to a lively and playful conclusion. It features a return to the syncopated rhythm of the first variation, as well as a series of rapid flourishes and trills. Overall, 'Les Tours de passe-passe' is a charming and virtuosic piece that showcases Couperin's skill as a composer and harpsichordist. Its playful character and intricate ornamentation make it a favorite among performers and audiences alike.More....
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2:48
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Les Tours de passe-passe (Pièces de clavecin, IV, 22e order)
Les Tours de passe-passe [22° ordre)
2:24
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Les Tours de passe-passe (Pièces de clavecin, IV, 22e order)
Les Tours De Passe-Passe (Quatrième Livre De Pièces De Clavecin, 22E Ordre)
2:51
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2:39
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