Composer

:

Jean-Baptiste Lully

Genre

:

Opera

Style

:

Opera

Publication Date

:

1679

First Performance

:

Jan 31, 1679

Movement_count

:

70

Movement ....

Bellérophon is an opera composed by Jean-Baptiste Lully, with a libretto by Thomas Corneille. The opera was first performed on January 31, 1679, at the Palais Royal in Paris. The plot of the opera is based on the Greek myth of Bellérophon, a hero who is tasked with slaying the Chimera, a fire-breathing monster. The opera is divided into five acts, each with its own set of musical movements. The first act introduces the main characters and sets the stage for the story. Bellérophon, the hero, is introduced as a brave and noble warrior who is beloved by the gods. He is tasked with slaying the Chimera, a monster that has been terrorizing the countryside. In the second act, Bellérophon sets out on his quest to slay the Chimera. He is aided by the goddess Minerva, who gives him a magical sword and shield. Bellérophon is also aided by Pegasus, a winged horse who helps him fly to the Chimera's lair. The third act sees Bellérophon engage in a fierce battle with the Chimera. He is ultimately successful in slaying the monster, but not before sustaining serious injuries. The fourth act sees Bellérophon recovering from his injuries and being hailed as a hero by the people. The final act of the opera sees Bellérophon being tempted by the goddess Venus, who offers him eternal life and happiness if he will forsake his mortal life. Bellérophon ultimately chooses to remain mortal and returns to his life as a warrior. The music of Bellérophon is characterized by Lully's signature style, which blends French and Italian musical traditions. The opera features a variety of musical movements, including arias, duets, and choruses. The music is often highly ornate and complex, with intricate vocal lines and elaborate instrumental accompaniment. Overall, Bellérophon is a classic example of French Baroque opera, with its grandiose themes, elaborate staging, and complex musical arrangements. It remains a popular work in the operatic repertoire to this day.

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