Composer

:

Girolamo Frescobaldi

Genre

:

Chamber

Style

:

Canzona

Publication Date

:

1628

Average_duration

:

4:54

Girolamo Frescobaldi was an Italian composer and keyboardist of the Baroque era. He was born in Ferrara in 1583 and died in Rome in 1643. He was one of the most important composers of keyboard music in the early Baroque period, and his works had a significant influence on the development of keyboard music in Italy and beyond. One of Frescobaldi's most famous works is "In partitura, il primo libro della canzoni ... No. 22, canto e basso, detta la Nicolina". This work is part of his first book of canzonas, which was published in 1628. The work is scored for two instruments: a high voice (canto) and a bass instrument (basso continuo). The premiere of "In partitura, il primo libro della canzoni ... No. 22, canto e basso, detta la Nicolina" is not known, but it was likely performed in the early 17th century in Italy. The work consists of a single movement, which is divided into several sections. The first section of the work is marked "Adagio" and features a slow, mournful melody in the canto part. The bass part provides a simple harmonic accompaniment. The second section is marked "Allegro" and features a lively, dance-like melody in the canto part. The bass part provides a more complex harmonic accompaniment, with frequent changes of key and rhythm. The third section of the work is marked "Adagio" and features a return to the slow, mournful melody of the first section. The bass part provides a more elaborate accompaniment, with chromatic harmonies and unexpected modulations. The final section of the work is marked "Allegro" and features a return to the lively, dance-like melody of the second section. The bass part provides a more complex accompaniment, with frequent changes of key and rhythm. Overall, "In partitura, il primo libro della canzoni ... No. 22, canto e basso, detta la Nicolina" is a typical example of Frescobaldi's keyboard music. It features a combination of slow, mournful melodies and lively, dance-like melodies, with complex harmonic accompaniments that showcase Frescobaldi's skill as a composer and keyboardist. The work is also notable for its use of unexpected modulations and chromatic harmonies, which were innovative for the time.

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