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Mily Balakirev
Valse di bravura, waltz for piano No. 1 in G major
Works Info
Composer
:
Mily Balakirev
Genre
:
Keyboard
Style
:
Waltz
Compose Date
:
1900
Publication Date
:
1900
Average_duration
:
8:15
Mily Balakirev's "Valse di bravura, waltz for piano No. 1 in G major" is a lively and virtuosic piece that showcases the composer's skill as a pianist and his love for Russian folk music. The piece was composed in 1855, when Balakirev was just 18 years old, and premiered the same year in St. Petersburg. The waltz is composed of three movements, each with its own distinct character. The first movement is marked "Allegro con spirito" and is in G major. It begins with a lively and playful melody that is reminiscent of a traditional Russian folk dance. The melody is then developed and expanded upon, with the left hand providing a driving rhythm and the right hand playing intricate and virtuosic runs. The movement ends with a flourish, leaving the listener energized and excited for what is to come. The second movement is marked "Andante cantabile" and is in E minor. It is a stark contrast to the first movement, with a more melancholic and introspective tone. The melody is hauntingly beautiful, with the left hand providing a gentle accompaniment. The movement builds to a climax before fading away into a soft and delicate ending. The final movement is marked "Allegro vivace" and is in G major. It is a return to the lively and energetic character of the first movement, with a fast and furious pace that showcases the pianist's technical skill. The melody is once again based on traditional Russian folk music, with the left hand providing a driving rhythm and the right hand playing intricate and virtuosic runs. The movement ends with a triumphant flourish, bringing the piece to a thrilling conclusion. Overall, Balakirev's "Valse di bravura, waltz for piano No. 1 in G major" is a masterful display of the composer's skill as a pianist and his love for Russian folk music. The piece is full of energy, passion, and technical virtuosity, making it a favorite among pianists and audiences alike.
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