Composer

:

Johann Hermann Schein

Genre

:

Choral

Publication Date

:

1618

Average_duration

:

4:10

Johann Hermann Schein's 'Christ lag in Todesbanden' is a sacred vocal work that was composed in 1623. It was premiered in Leipzig, Germany, during the Easter season of the same year. The work is part of Schein's larger collection of sacred vocal music, Opella nova, which was published in 1627. 'Christ lag in Todesbanden' is a seven-movement work that is based on the Lutheran hymn of the same name. The hymn, which was written by Martin Luther, tells the story of Christ's resurrection and victory over death. Schein's setting of the hymn is scored for four voices (soprano, alto, tenor, and bass) and is accompanied by a basso continuo. The seventh and final movement of 'Christ lag in Todesbanden' is a chorale setting of the hymn. The text of the chorale is sung by the four voices in unison, while the basso continuo provides a simple harmonic accompaniment. The melody of the chorale is based on a medieval chant, and Schein's setting of the melody is characterized by its simplicity and clarity. One of the most notable characteristics of Schein's setting of 'Christ lag in Todesbanden' is its use of word painting. Throughout the work, Schein uses musical gestures to illustrate the text of the hymn. For example, in the fourth movement, which describes Christ's descent into hell, the voices descend to the lowest notes of their range. In the final movement, which celebrates Christ's victory over death, the voices rise to their highest notes. Overall, 'Christ lag in Todesbanden' is a masterful example of sacred vocal music from the early Baroque period. Its simple yet powerful melodies and its use of word painting make it a timeless work that continues to be performed and admired today.

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