Composer

:

Biagio Marini

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

Sep 1, 1655

Publication Date

:

Sep 1, 1655

Per Ogni Sorte D'istromento Musicale, Op. 22 is a collection of instrumental music composed by Biagio Marini, an Italian composer and violinist of the Baroque era. The collection was published in Venice in 1620 and consists of 55 pieces, each written for a different instrument or combination of instruments. The premiere of the collection is not known, but it was likely performed in various courts and musical circles throughout Italy. The collection is divided into six sections, each containing pieces for a different type of instrument: violin, cornetto, bassoon, viola da gamba, harp, and organ. The violin section is the largest, with 23 pieces, and showcases Marini's virtuosic writing for the instrument. The pieces range from lively dance movements, such as the Corrente and Giga, to more introspective works, such as the Adagio and Lamento. Marini's use of ornamentation and virtuosic techniques, such as double stops and rapid runs, make these pieces challenging for even the most skilled violinists. The cornetto section contains six pieces, which were likely intended for the instrument's use in church music. The pieces are written in a more contrapuntal style, with the cornetto often playing the melody while the other instruments provide accompaniment. The bassoon section contains four pieces, which are some of the earliest known works for the instrument. The pieces are written in a more virtuosic style than was typical for the bassoon at the time, with fast runs and intricate ornamentation. The viola da gamba section contains six pieces, which showcase Marini's skill in writing for the instrument. The pieces range from lively dance movements to more introspective works, and often feature intricate counterpoint between the viola da gamba and other instruments. The harp section contains four pieces, which are some of the earliest known works for the instrument. The pieces are written in a more virtuosic style than was typical for the harp at the time, with fast runs and intricate ornamentation. The organ section contains eight pieces, which were likely intended for use in church music. The pieces are written in a more contrapuntal style, with the organ often playing the melody while the other instruments provide accompaniment. Overall, Per Ogni Sorte D'istromento Musicale, Op. 22 is a significant collection of instrumental music from the Baroque era, showcasing Marini's skill in writing for a variety of instruments. The collection is notable for its virtuosic writing and intricate ornamentation, which make it a challenging and rewarding repertoire for modern performers.

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