Composer

:

Charles Avison

Genre

:

Concerto

Style

:

Concerto

Average_duration

:

15:57

Movement_count

:

4

Movement ....

Charles Avison was an English composer who lived from 1709 to 1770. He was known for his contributions to the concerto grosso genre, which was popular in the Baroque era. One of his most famous works is the Concerto grosso No. 12 in D major (after Scarlatti), which was composed in the mid-1700s. The Concerto grosso No. 12 in D major (after Scarlatti) is a tribute to the Italian composer Domenico Scarlatti, who was known for his keyboard sonatas. Avison took some of Scarlatti's sonatas and arranged them for a concerto grosso ensemble, which typically consisted of a small group of soloists (the concertino) and a larger group of accompanying musicians (the ripieno). The Concerto grosso No. 12 in D major (after Scarlatti) premiered in Newcastle upon Tyne, England, in 1758. It consists of four movements: 1. Allegro 2. Andante 3. Allegro 4. Minuetto The first movement is a lively Allegro that features the concertino and ripieno trading off melodic material. The second movement is a slower Andante that showcases the concertino's ability to play expressively. The third movement is another fast Allegro that features a fugue-like section. The final movement is a Minuetto, which is a dance form that was popular in the Baroque era. One of the characteristics of Avison's Concerto grosso No. 12 in D major (after Scarlatti) is its use of counterpoint. Counterpoint is a technique where two or more melodic lines are played simultaneously, creating a complex and harmonically rich texture. Avison was known for his skill in writing counterpoint, and this concerto grosso is a prime example of his abilities. Another characteristic of this concerto grosso is its use of ornamentation. Ornamentation is the addition of decorative notes to a melody, and it was a common practice in Baroque music. Avison's arrangement of Scarlatti's sonatas includes many ornamental flourishes, which add to the overall beauty and complexity of the music. Overall, Charles Avison's Concerto grosso No. 12 in D major (after Scarlatti) is a masterful tribute to the music of Domenico Scarlatti. Its use of counterpoint and ornamentation make it a prime example of Baroque music, and its four movements showcase the talents of both the concertino and ripieno.

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