Composer

:

William Lawes

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

5:43

'Lord, in thy wrath' is a sacred vocal work composed by William Lawes, an English composer and musician of the 17th century. The piece was composed in the early 1640s, during the English Civil War, and was premiered in 1642 at the Chapel Royal in London. The work is divided into three movements, each of which is characterized by its own unique musical style and mood. The first movement is a solemn and mournful setting of Psalm 6, which begins with the words "Lord, in thy wrath rebuke me not." The music is slow and contemplative, with long, sustained notes and a sense of deep sadness and despair. The second movement is a lively and energetic setting of Psalm 38, which begins with the words "O Lord, rebuke me not in thy wrath." The music is fast-paced and rhythmic, with lively melodies and intricate counterpoint. The mood is one of urgency and desperation, as the psalmist pleads with God for mercy and forgiveness. The final movement is a majestic and triumphant setting of Psalm 90, which begins with the words "Lord, thou hast been our refuge." The music is grand and majestic, with soaring melodies and rich harmonies. The mood is one of gratitude and praise, as the psalmist reflects on God's mercy and protection. Overall, 'Lord, in thy wrath' is a powerful and moving work that reflects the tumultuous times in which it was composed. The music is deeply emotional and expressive, with a sense of urgency and desperation that reflects the political and social upheaval of the English Civil War. Despite its somber themes, however, the work ultimately ends on a note of hope and triumph, as the psalmist finds refuge and comfort in God's mercy and protection.

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