Composer

:

Chiara Margarita Cozzolani

Genre

:

Vocal

Style

:

Antiphon

Compose Date

:

1642

Average_duration

:

6:08

"Concinant linguae" is a sacred vocal work composed by Chiara Margarita Cozzolani, an Italian Baroque composer and Benedictine nun. The piece was composed in the mid-17th century and premiered in the convent of Santa Radegonda in Milan, where Cozzolani was a member of the choir. "Concinant linguae" is a five-movement work, with each movement based on a different text from the liturgy of the Catholic Church. The first movement, "Concinant linguae," is a joyful and celebratory piece that sets the tone for the rest of the work. The second movement, "O quam suavis est," is a more contemplative piece that reflects on the sweetness of God's love. The third movement, "Ave maris stella," is a hymn to the Virgin Mary, and features a solo soprano voice accompanied by the choir. The fourth movement, "O sacrum convivium," is a setting of the Eucharistic hymn, and is characterized by its rich harmonies and expressive melodies. The final movement, "Laudate Dominum," is a joyful and exuberant piece that brings the work to a triumphant close. One of the most notable characteristics of "Concinant linguae" is its use of polyphony, a technique in which multiple voices sing different melodies simultaneously. Cozzolani was known for her skillful use of polyphony, and "Concinant linguae" is a prime example of her mastery of the technique. The work also features a variety of vocal textures, from the solo soprano in "Ave maris stella" to the full choir in the other movements. Overall, "Concinant linguae" is a beautiful and expressive work that showcases Cozzolani's talent as a composer and her deep devotion to her faith. Its premiere in the convent of Santa Radegonda would have been a powerful and moving experience for the nuns who performed it, and it continues to be a beloved piece of sacred music to this day.

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