Composer

:

Phil Sterman

Genre

:

Orchestral

Style

:

Orchestral

Average_duration

:

4:09

"Nagodus (after J. Offenbach's Orpheus in the Underworld French Cancan)" is a contemporary composition by Phil Sterman. The piece was composed in 2018 and premiered on May 5th of the same year at the University of California, Los Angeles (UCLA) Herb Alpert School of Music. The composition is divided into three movements, each with its own unique characteristics. The first movement, titled "Entrance," begins with a slow and mysterious introduction, featuring a solo cello. The music gradually builds in intensity, leading to the entrance of the full ensemble. The movement then transitions into a lively and energetic section, featuring a driving rhythm and playful melodies. The second movement, titled "Can-Can," is a nod to the famous French dance from Offenbach's original work. However, Sterman's interpretation is a modern take on the traditional can-can, featuring complex rhythms and harmonies. The movement is characterized by its fast-paced tempo and virtuosic solos from various members of the ensemble. The final movement, titled "Exit," is a reflective and introspective section that brings the piece to a close. The movement begins with a haunting melody played by the solo cello, which is then joined by the rest of the ensemble. The music gradually builds in intensity, leading to a climactic ending. Overall, "Nagodus (after J. Offenbach's Orpheus in the Underworld French Cancan)" is a dynamic and engaging composition that showcases Sterman's skill as a composer. The piece combines elements of classical music with modern influences, resulting in a unique and captivating work.

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