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Carl Philipp Emanuel Bach
Empfindungen in der Sommernacht, H. 752/18, Wq. 198/18
Released Album
 
Works Info
Composer
:
Carl Philipp Emanuel Bach
Genre
:
Vocal
Style
:
Vocal Music
Compose Date
:
1781
Publication Date
:
1781
Average_duration
:
4:28
"Empfindungen in der Sommernacht" is a chamber music piece composed by Carl Philipp Emanuel Bach in 1787. It was premiered in Hamburg, Germany, on August 10, 1787. The piece consists of three movements: Allegro, Adagio, and Presto. The first movement, Allegro, is characterized by its lively and energetic tempo. It begins with a cheerful and playful melody played by the violin, which is then echoed by the cello. The two instruments engage in a lively dialogue throughout the movement, with each taking turns leading the melody. The movement is marked by sudden shifts in dynamics and tempo, which add to its overall sense of excitement and unpredictability. The second movement, Adagio, is a slow and melancholic piece that provides a stark contrast to the first movement. It begins with a mournful melody played by the cello, which is then joined by the violin. The two instruments engage in a mournful duet, with each instrument taking turns leading the melody. The movement is marked by its use of dissonant harmonies and sudden shifts in dynamics, which add to its overall sense of sadness and despair. The final movement, Presto, is a fast and lively piece that brings the piece to a thrilling conclusion. It begins with a frenzied melody played by the violin, which is then echoed by the cello. The two instruments engage in a frenetic dialogue throughout the movement, with each taking turns leading the melody. The movement is marked by its use of rapid-fire arpeggios and sudden shifts in dynamics, which add to its overall sense of excitement and energy. Overall, "Empfindungen in der Sommernacht" is a masterful example of Carl Philipp Emanuel Bach's skill as a composer. Its three movements showcase a wide range of emotions and moods, from the playful and energetic to the mournful and despairing. The piece is a testament to Bach's ability to create music that is both technically impressive and emotionally resonant.
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