Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

before 1789

Publication Date

:

1985

Average_duration

:

1:30

Carl Philipp Emanuel Bach's March for keyboard in D major, H. 320, Wq. 116/46 was composed in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1740 and 1760. The piece was premiered during Bach's lifetime, likely in a private performance or as part of a larger concert program. The March for keyboard in D major is a single-movement work that is characterized by its lively and energetic tempo. The piece is written in a binary form, with two distinct sections that are repeated. The first section is in D major and features a lively, march-like melody that is played in the right hand. The left hand provides a steady accompaniment with simple chords and arpeggios. The second section of the piece is in G major and features a contrasting melody that is played in the left hand. The right hand provides a more subdued accompaniment with broken chords and arpeggios. The two sections are then repeated, with slight variations in the melody and accompaniment. The March for keyboard in D major is a prime example of Bach's style, which is characterized by its use of unexpected harmonies, sudden shifts in dynamics, and virtuosic keyboard writing. The piece is also notable for its use of ornamentation, which was a hallmark of the Baroque era. Overall, the March for keyboard in D major is a lively and engaging piece that showcases Bach's skill as a composer and keyboardist. Its energetic tempo and virtuosic writing make it a popular choice for keyboardists today, and it remains a beloved work in the classical repertoire.

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