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Antonio Vivaldi
Qual in pioggia dorata i dolci rai, RV 686
Released Album
 
Works Info
Composer
:
Antonio Vivaldi
Genre
:
Vocal
Style
:
Cantata
Compose Date
:
before 1742
Average_duration
:
8:32
"Qual in pioggia dorata i dolci rai" is a vocal work composed by Antonio Vivaldi, an Italian Baroque composer, in the early 18th century. The piece is a solo cantata for soprano, strings, and continuo, and is catalogued as RV 686 in Vivaldi's works. The cantata is believed to have been composed around 1715-1716, during Vivaldi's time as the maestro di violino at the Ospedale della Pietà in Venice. The text of the cantata is by an unknown author, and is in Italian. The piece is in three movements, with a total duration of approximately 12 minutes. The first movement, marked "Allegro," begins with a lively and joyful instrumental introduction, featuring the strings and continuo. The soprano enters with the first line of the text, "Qual in pioggia dorata i dolci rai," which translates to "Like sweet rays in golden rain." The vocal line is characterized by virtuosic runs and trills, which showcase the soprano's agility and range. The movement is structured as a da capo aria, with the opening material returning at the end. The second movement, marked "Largo," is a slower and more contemplative aria. The text speaks of the beauty of nature, and the music is characterized by long, lyrical lines in the vocal melody, accompanied by gentle, flowing figures in the strings and continuo. The movement is in ternary form, with a contrasting middle section before returning to the opening material. The final movement, marked "Allegro," is a lively and energetic aria, with a text that speaks of the joys of love. The vocal line is once again virtuosic, with rapid runs and trills, and the instrumental accompaniment is lively and rhythmic. The movement is structured as a da capo aria, with the opening material returning at the end. Overall, "Qual in pioggia dorata i dolci rai" is a charming and delightful cantata, showcasing Vivaldi's skill in writing for the voice and his mastery of instrumental writing. The piece is a testament to the beauty and joy of nature and love, and remains a beloved work in the Baroque vocal repertoire.
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