Composer

:

Arnold Bax

Genre

:

Choral

Style

:

Magnificat

Compose Date

:

1948

Average_duration

:

5:34

Arnold Bax's Magnificat is a choral work composed in 1919. It was premiered on December 16, 1922, at the Queen's Hall in London, conducted by Adrian Boult. The piece is divided into six movements, each with its own unique characteristics. The first movement, "Magnificat anima mea Dominum," is a joyful and exuberant setting of the text. The choir sings in unison, with the organ providing a lively accompaniment. The second movement, "Et exultavit spiritus meus," is a solo for soprano, accompanied by the choir and organ. The music is more introspective and contemplative, reflecting the personal nature of the text. The third movement, "Quia respexit humilitatem," is a duet for alto and tenor, accompanied by the choir and organ. The music is gentle and flowing, with a sense of tenderness and compassion. The fourth movement, "Quia fecit mihi magna," is a solo for bass, accompanied by the choir and organ. The music is grand and majestic, reflecting the power and glory of God. The fifth movement, "Et misericordia," is a duet for soprano and alto, accompanied by the choir and organ. The music is gentle and soothing, with a sense of comfort and reassurance. The final movement, "Gloria Patri," is a triumphant setting of the doxology. The choir sings in unison, with the organ providing a majestic accompaniment. The music is full of energy and excitement, reflecting the joy and exaltation of the text. Overall, Bax's Magnificat is a beautiful and expressive work, full of rich harmonies and intricate textures. The music is deeply spiritual and reflective, capturing the essence of the text in a powerful and moving way.

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