Composer

:

Pierre Certon

Genre

:

Vocal

Average_duration

:

3:21

"Reviens vers moy" is a chanson composed by Pierre Certon, a French composer of the Renaissance period. The piece was composed in the mid-16th century and was first published in 1555 in his collection of chansons, "Chansons nouvelles à quatre parties". The chanson is written for four voices, with the melody carried by the highest voice. The piece is in a simple triple meter, with a moderate tempo. The text is a love song, with the speaker pleading for their lover to return to them. The piece is divided into three distinct sections or movements. The first movement begins with a homophonic texture, with all four voices singing together in harmony. The melody is simple and lyrical, with a gentle rise and fall. The second movement is more complex, with the voices weaving in and out of each other in a polyphonic texture. The melody becomes more ornate and intricate, with each voice contributing to the overall texture. The final movement returns to the homophonic texture of the first, with the melody returning to its original simplicity. One of the characteristics of Certon's chansons is his use of word painting, where the music reflects the meaning of the text. In "Reviens vers moy", there are several examples of this technique. For example, when the text speaks of the lover's tears, the music becomes more dissonant and chromatic, reflecting the emotional turmoil of the speaker. Overall, "Reviens vers moy" is a beautiful example of a Renaissance chanson, with its simple melody, polyphonic textures, and use of word painting. It remains a popular piece in the choral repertoire today.

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