Composer

:

Jean-Henri d'Anglebert

Genre

:

Keyboard

Publication Date

:

1689

Average_duration

:

06:53

Jean-Henri d'Anglebert's 'Variations sur les Folies d'Espagne in D minor (Pièces de Clavecin)' is a set of variations for harpsichord that was composed in the late 17th century. The piece was first published in 1689 as part of d'Anglebert's 'Pièces de Clavecin', a collection of harpsichord music that was highly influential in the development of French keyboard music. The 'Variations sur les Folies d'Espagne' is based on a popular Spanish dance tune called 'La Folia', which had been used as the basis for variations by many composers before d'Anglebert. However, d'Anglebert's version is notable for its complexity and virtuosity, as well as its use of French keyboard techniques such as ornamentation and arpeggiation. The piece is divided into 12 variations, each of which explores different aspects of the original theme. The variations range in mood from playful to melancholic, and showcase d'Anglebert's skill in creating intricate and varied textures on the harpsichord. The first variation is a simple statement of the theme, followed by a more elaborate version in the second variation. The third variation features a lively rhythm and intricate ornamentation, while the fourth is more subdued and introspective. The fifth variation is a virtuosic display of arpeggios and runs, while the sixth is a gentle and lyrical variation that features a prominent bass line. The seventh variation is a lively dance, while the eighth is a more contemplative variation that features a prominent use of suspensions. The ninth variation is a virtuosic tour-de-force that showcases d'Anglebert's skill in creating complex textures on the harpsichord. The tenth variation is a gentle and introspective variation that features a prominent use of ornamentation. The eleventh variation is a lively dance that features a prominent use of syncopation, while the twelfth and final variation is a grand statement of the theme that brings the piece to a satisfying conclusion. Overall, d'Anglebert's 'Variations sur les Folies d'Espagne' is a masterful example of French keyboard music from the late 17th century. Its intricate textures, virtuosic displays, and varied moods make it a compelling and rewarding piece for both performers and listeners.

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