Composer

:

Luca Marenzio

Genre

:

Choral

Style

:

Choral

Publication Date

:

1585

Average_duration

:

2:23

Luca Marenzio's 'Cantantibus organis (Motectorum pro festis totius anni cum Communi Sanctorum)' is a collection of motets that was composed in the late 16th century. The collection was first published in 1585 and was dedicated to Pope Sixtus V. The motets are written for four to eight voices and are intended for use in the liturgy throughout the year, including feast days and the common of saints. The collection is divided into two parts, with the first part containing motets for the major feasts of the liturgical year, such as Christmas, Easter, and Pentecost. The second part contains motets for the common of saints, which are used throughout the year for saints' days that do not have their own specific texts. The motets in 'Cantantibus organis' are characterized by their rich harmonies and expressive melodies. Marenzio was known for his skill in writing for multiple voices, and this collection showcases his ability to create complex textures that are both beautiful and expressive. The motets are also notable for their use of chromaticism, which was a hallmark of Marenzio's style. One of the most famous motets in the collection is 'O Rex gloriae', which is a setting of the hymn for the feast of Ascension. The motet begins with a majestic fanfare that sets the tone for the rest of the piece. The voices enter one by one, building to a climax in the middle of the piece before subsiding into a quiet, contemplative section. The motet ends with a triumphant return to the opening fanfare. Another notable motet in the collection is 'O sacrum convivium', which is a setting of the text for the feast of Corpus Christi. The motet begins with a simple, chant-like melody that is gradually embellished by the other voices. The piece builds to a climax in the middle before returning to the simple melody at the end. Overall, 'Cantantibus organis' is a masterful collection of motets that showcases Marenzio's skill as a composer. The motets are beautiful, expressive, and well-suited for use in the liturgy throughout the year.

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